Martin Herbert: Tell Them I Said No

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Sternberg Press, 2016, 128 pages

How many great artists have there been that passed by totally unknown? It is a recurring idle pub question, but one which casually brings up some heavy stuff: of working processes, careers, visibility, networks and power. No matter what some like Dave Hickey might like to believe, I don’t think talent just rises to the top like some genius double cream; recognition is a collusion of luck and lust, of determination and dollar signs. Martin Herbert’s latest collection of essays, Tell Them I Said No, is premised on artists who had it, whatever it might be (talent, promise or a steady career), and turned their backs on it; artists who were known, seen, acknowledged, and then – for whatever reasons – disappeared. Continue reading

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